Lake Hillier, Australia

(Source: nicolaporter)

Production DesignBrokeback Mountain (2005)

There was almost an inverse proportion between our lack of money and the abundance of spirit in our crew and cast. Everything was done simply – not only because we didn’t have the budget but also because, artistically, everything needed to be honest, direct, and clear. From the rawness and vulnerability of our actors, to the presence of the natural environment. - James Schamus, producer; P.D. by Judy Becker

(Source: frankoceanfanclub)

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Gender bias in the film industry: 75% of blockbuster crews are male ↘

Leading figures in cinema are calling for steps to improve diversity in the industry as a damning study exposes the severe lack of women at all levels of film production over the past 20 years.

Figures seen by the Guardian have revealed that gender disparity is entrenched in the film industry, where more than three-quarters of the crew involved in making 2,000 of the biggest grossing films over the past 20 years have been men, while only 22% were women.

The report, compiled by the British producer and writer Stephen Follows, noted the gender of many employees, from make-up artists and animators to sound engineers and directors, who had worked on the 100 biggest box-office blockbusters each year since 1994.

The statistics, Follows decided, meant that he would “challenge anyone to read them and not feel that our industry has a problem with gender equality”.

In particular, the report found a notable gender split in film-making departments. Women made up a majority only in costume and wardrobe departments and casting, all of which, traditionally, have been perceived as feminine workplaces. Visual effects, usually the largest department for big feature films, had an average of only 17.5% of women, while music had just 16%, and camera and electricals were, on average, 95% male.

Even in creative areas men were found to dominate. The 2,000 films surveyed revealed that women accounted for only 13% of the editors, 10% of the writers and just 5% of the directors.

ace-enjolras:

I don’t think writers realize that “strong female character” means “well written female character” and not “female character who punches stuff and shoots stuff”

(Source: jamesnord)

kittensaysfuckyou:

White privilege is never having to spell your last name.

Voltchanskaya

just-art:

Secret Garden by Slevinaaron

"You see, there are still faint glimmers of civilization left in this barbaric slaughterhouse that was once known as humanity. Indeed that’s what we provide in our own modest, humble, insignificant… oh, fuck it." - The Grand Budapest Hotel (2014)

(Source: mashamorevna)

danielodowd:

pedromoreno

danielodowd:

pedromoreno

khurtisjames:

remember bebo

(Source: ocean-waves1)

theeraserhead:

Fight Club Trivia: Author Chuck Palahniuk first came up with the idea for the novel after being beaten up on a camping trip when he complained to some nearby campers about the noise of their radio. When he returned to work, he was fascinated to find that nobody would mention or acknowledge his injuries, instead saying such commonplace things as “How was your weekend?” Palahniuk concluded that the reason people reacted this way was because if they asked him what had happened, a degree of personal interaction would be necessary, and his workmates simply didn’t care enough to connect with him on a personal level. It was his fascination with this societal ‘blocking’ which became the foundation for the novel.

theeraserhead:

Fight Club Trivia: Author Chuck Palahniuk first came up with the idea for the novel after being beaten up on a camping trip when he complained to some nearby campers about the noise of their radio. When he returned to work, he was fascinated to find that nobody would mention or acknowledge his injuries, instead saying such commonplace things as “How was your weekend?” Palahniuk concluded that the reason people reacted this way was because if they asked him what had happened, a degree of personal interaction would be necessary, and his workmates simply didn’t care enough to connect with him on a personal level. It was his fascination with this societal ‘blocking’ which became the foundation for the novel.

(Source: gowniak2)

(Source: photographar)

darksilenceinsuburbia:

Francesca Jane Allen

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